American Impressionism: Cultural & Artistic Influence
Impact on society, art, and culture
Cultural Influence
American Impressionism gave the United States a picture of itself that was settled, prosperous and modern without being raw: genteel interiors, cultivated gardens, colonial doorways, harbors full of pleasure boats, and avenues crowded with fashionable walkers. Its pictures largely leave out the tenements and factory floors of the period, which Weir's mill-town paintings only glimpse; the Ashcan painters of the following decade made that harder side of the city their subject. But the movement's quiet New England places have had a long afterlife: Florence Griswold's house in Old Lyme became the Florence Griswold Museum, Weir's Branchville farm became Weir Farm National Historical Park, and Chase's Shinnecock home and studio were listed on the National Register of Historic Places in 1983. Cassatt's images of mothers and children, the subject she concentrated on almost exclusively after 1900, remain her best-known images. Hassam's flag paintings, made as the country moved toward and into the First World War, are among the best-known American pictures of the home front.
Art World Influence
Cassatt mattered to the history of collecting as much as to painting. With Cassatt as advisor, her friend Louisine Havemeyer and her husband Harry began collecting the Impressionists on a grand scale after their marriage in 1883, a collection that came in large part to the Metropolitan Museum of Art. Durand-Ruel's 1886 New York exhibition and his New York gallery made American buyers among the most important supporters of Monet and Renoir. Among painters, the Ten offered a model of artist-run exhibiting outside the academies, and Chase - at Shinnecock, the Chase School (later the New York School of Art) and the Pennsylvania Academy - trained a generation of American artists. Cassatt received the Legion of Honor in 1904. Major modern reassessments include the Metropolitan Museum's American Impressionism and Realism (1994), its Childe Hassam retrospective (2004), and the National Gallery of Art's Degas/Cassatt (2014).
Contemporaries & Connections
Mary Cassatt
Pittsburgh-born painter and printmaker in Paris, the only American to exhibit with the French Impressionists (1844-1926)
Childe Hassam
Boston-born painter and etcher, founder of the Ten, painter of the flag series and of Old Lyme and East Hampton (1859-1935)
William Merritt Chase
Painter and teacher; founder of the Shinnecock Hills Summer School of Art, member of the Ten from 1902 (1849-1916)
J. Alden Weir
Painter and etcher of Branchville and Windham, Connecticut; founding member of the Ten (1852-1919)
John Henry Twachtman
Cincinnati-born painter and etcher whose Greenwich farm anchored the Cos Cob colony; founding member of the Ten (1853-1902)
Theodore Robinson
Vermont-born painter and Monet's neighbor at Giverny (1852-1896)
Thomas Wilmer Dewing
Boston-born painter of refined, Tonalist figure pieces; founding member of the Ten (1851-1938)
Willard Leroy Metcalf
Lowell-born landscape painter of Giverny, Old Lyme and New England; founding member of the Ten (1858-1925)
Edgar Degas
French painter who invited Cassatt to exhibit with the Impressionists (1834-1917)
Claude Monet
French Impressionist at Giverny, neighbor of Theodore Robinson (1840-1926)