American Impressionism

1880 – 1920

Cassatt's mothers and color prints, Hassam's flag-hung avenues and the quiet Connecticut farms of the Ten - American painters who took up Impressionist light, 1880-1920

The Boating Party, 1893
The Boating Party, 1893

About American Impressionism

American Impressionism was never a single school with a program. It was a shared change of habit among American painters, most of them trained in Paris or Munich in the 1870s, who over the following two decades lightened their palettes, broke up their brushwork and turned to everyday modern subjects: a mother bathing a child, a sunny New England pasture, a crowded avenue in New York. The works in this archive span that shift, from…

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Timeline

1866

Mary Cassatt moves to Paris

1868

Cassatt's A Mandoline Player is accepted by the Paris Salon jury, her first Salon acceptance

1877

After both of her Salon entries are rejected, Cassatt is invited by Edgar Degas to exhibit with the Impressionists; J. Alden Weir, studying in Paris, writes home in April that he never saw 'more horrible things' than an Impressionist show

1878

Cassatt paints Little Girl in a Blue Armchair, with advice - and some work on the background - from Degas

1879

Cassatt shows eleven works in the fourth Impressionist exhibition in Paris; she also exhibits in 1880, 1881 and 1886, the only American to show with the group